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	<title>eAlmanac &#124; A Unique Online Reference Source &#187; Black</title>
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		<title>Black Tie</title>
		<link>http://www.ealmanac.com/3975/colors/black-tie/</link>
		<comments>http://www.ealmanac.com/3975/colors/black-tie/#comments</comments>
		<pubDate>Mon, 17 Jan 2011 22:48:10 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Anthropology]]></category>
		<category><![CDATA[Clothing]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Humanities]]></category>
		<category><![CDATA[Social Sciences]]></category>

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		</item>
		<item>
		<title>Blackwater Fever</title>
		<link>http://www.ealmanac.com/3815/colors/blackwater-fever/</link>
		<comments>http://www.ealmanac.com/3815/colors/blackwater-fever/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 04:51:39 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Four]]></category>
		<category><![CDATA[Numbers]]></category>
		<category><![CDATA[Biological Sciences]]></category>
		<category><![CDATA[Colored Diseases]]></category>
		<category><![CDATA[Disease]]></category>
		<category><![CDATA[Diseases]]></category>
		<category><![CDATA[Health]]></category>
		<category><![CDATA[Health and Medicine]]></category>
		<category><![CDATA[Infectious Disease]]></category>
		<category><![CDATA[Malaria]]></category>
		<category><![CDATA[Medicine]]></category>
		<category><![CDATA[Parasitic Disease]]></category>
		<category><![CDATA[The Four Elements of the Ancient Greeks]]></category>
		<category><![CDATA[Waters]]></category>

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		</item>
		<item>
		<title>Black September (2008)</title>
		<link>http://www.ealmanac.com/3623/colors/black-september-2008/</link>
		<comments>http://www.ealmanac.com/3623/colors/black-september-2008/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 02:11:32 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Numbers]]></category>
		<category><![CDATA[Twelve]]></category>
		<category><![CDATA[2000's]]></category>
		<category><![CDATA[21st Century]]></category>
		<category><![CDATA[Financial Crises]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Humanities]]></category>
		<category><![CDATA[Septembers]]></category>
		<category><![CDATA[The Twelve Months of the Year]]></category>

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		</item>
		<item>
		<title>Black September (1970)</title>
		<link>http://www.ealmanac.com/3619/colors/black-september-1970/</link>
		<comments>http://www.ealmanac.com/3619/colors/black-september-1970/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 01:26:09 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Numbers]]></category>
		<category><![CDATA[Twelve]]></category>
		<category><![CDATA[1970's]]></category>
		<category><![CDATA[20th Century]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Humanities]]></category>
		<category><![CDATA[Jordan]]></category>
		<category><![CDATA[Jordanian History]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[Middle Eastern History]]></category>
		<category><![CDATA[Palestinian History]]></category>
		<category><![CDATA[Septembers]]></category>
		<category><![CDATA[The Twelve Months of the Year]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/?p=3619</guid>
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		</item>
		<item>
		<title>Black September Organization</title>
		<link>http://www.ealmanac.com/3614/colors/black-september-organization/</link>
		<comments>http://www.ealmanac.com/3614/colors/black-september-organization/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 01:11:03 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Numbers]]></category>
		<category><![CDATA[Twelve]]></category>
		<category><![CDATA[1970's]]></category>
		<category><![CDATA[20th Century]]></category>
		<category><![CDATA[Militant Groups]]></category>
		<category><![CDATA[Palestinian Groups]]></category>
		<category><![CDATA[Septembers]]></category>
		<category><![CDATA[The Twelve Months of the Year]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/?p=3614</guid>
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		</item>
		<item>
		<title>Blacktop (cinema)</title>
		<link>http://www.ealmanac.com/3395/colors/blacktop-cinema/</link>
		<comments>http://www.ealmanac.com/3395/colors/blacktop-cinema/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 23:48:27 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Humanities]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/?p=3395</guid>
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		</item>
		<item>
		<title>Blacktop (material)</title>
		<link>http://www.ealmanac.com/3392/colors/blacktop-material/</link>
		<comments>http://www.ealmanac.com/3392/colors/blacktop-material/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 23:41:39 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Construction]]></category>
		<category><![CDATA[Nickname]]></category>
		<category><![CDATA[Roads]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Transportation]]></category>

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		<description><![CDATA[]]></description>
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		</item>
		<item>
		<title>Blackout (Media)</title>
		<link>http://www.ealmanac.com/3326/colors/blackout-media/</link>
		<comments>http://www.ealmanac.com/3326/colors/blackout-media/#comments</comments>
		<pubDate>Mon, 31 May 2010 15:22:27 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Censorship]]></category>
		<category><![CDATA[Free Speech]]></category>
		<category><![CDATA[Freedom of Speech]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Law]]></category>
		<category><![CDATA[Newspapers]]></category>
		<category><![CDATA[Political Science]]></category>
		<category><![CDATA[Social Sciences]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/?p=3326</guid>
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		</item>
		<item>
		<title>Blackout (Communications)</title>
		<link>http://www.ealmanac.com/3324/colors/blackout-communications/</link>
		<comments>http://www.ealmanac.com/3324/colors/blackout-communications/#comments</comments>
		<pubDate>Mon, 31 May 2010 15:18:48 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Communications]]></category>
		<category><![CDATA[Invention]]></category>
		<category><![CDATA[Sciences]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/?p=3324</guid>
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		<item>
		<title>Blackout (Electricity)</title>
		<link>http://www.ealmanac.com/3322/colors/blackout-electricity/</link>
		<comments>http://www.ealmanac.com/3322/colors/blackout-electricity/#comments</comments>
		<pubDate>Mon, 31 May 2010 15:15:47 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Electricity]]></category>
		<category><![CDATA[Invention]]></category>
		<category><![CDATA[Sciences]]></category>
		<category><![CDATA[Technology]]></category>

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		</item>
		<item>
		<title>Black Market</title>
		<link>http://www.ealmanac.com/2947/colors/black-market/</link>
		<comments>http://www.ealmanac.com/2947/colors/black-market/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 08:15:02 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Economics]]></category>
		<category><![CDATA[Market]]></category>
		<category><![CDATA[Marketplace]]></category>
		<category><![CDATA[Merchandise]]></category>
		<category><![CDATA[Social Sciences]]></category>
		<category><![CDATA[Trade]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/2947/colors/black-market/</guid>
		<description><![CDATA[The &#8220;black market&#8221; refers to the purchasing and selling of goods or services that either are: illegal—such as illicit drugs, gambling or prostitution rationed—such as during war time, or sold without paying taxes or tariffs—such as cigarettes Another term for &#8220;black market/economy&#8221; is &#8220;underground economy&#8221;: &#8220;Prof. [Kenneth] Rogoff estimates that as much as 75% of U.S. notes in circulation, or more than $600 billion, are held outside the U.S. Most of that is likely in what he calls the underground economy, where transactions are made beyond the oversight of government—much of which is juiced by the black market. &#8216;This money is not in cash registers, it&#8217;s not in bank vaults,&#8217; Prof. Rogoff says.&#8221;—Nguyen Anh Thu, Darcy Crowe, and Will Connors, &#8220;Globally, the [...]]]></description>
			<content:encoded><![CDATA[<p>The &#8220;black market&#8221; refers to the purchasing and selling of goods or services that either are:</p>

<ul>
	<li>illegal—such as illicit drugs, gambling or prostitution</li>
	<li>rationed—such as during war time, or </li>
	<li>sold without paying taxes or tariffs—such as <a href="http://www.nytimes.com/2008/04/10/nyregion/10stamps.html">cigarettes</a></li>
</ul>

<p>Another term for &#8220;black market/economy&#8221; is &#8220;underground economy&#8221;:</p>

<ul>
	<li>&#8220;Prof. <a href="http://www.economics.harvard.edu/faculty/rogoff">[Kenneth] Rogoff</a> estimates that as much as 75% of U.S. notes in circulation, or more than $600 billion, are held outside the U.S. Most of that is likely in what he calls the <strong>underground economy</strong>, where transactions are made beyond the oversight of government—much of which is juiced by the <strong>black market</strong>. &#8216;This money is not in cash registers, it&#8217;s not in bank vaults,&#8217; Prof. Rogoff says.&#8221;—Nguyen Anh Thu, Darcy Crowe, and Will Connors, &#8220;Globally, the Greenback Remains King,&#8221; <span style="text-decoration: underline;"><a href="http://www.wsj.com/">The Wall Street Journal</a></span>, October 29, 2009.</li>
	<li>&#8220;The Ontario government is launching a review into unsafe labour practices following a spate of deaths on construction sites, including those of four men who died on Christmas Eve when scaffolding collapsed at a Toronto apartment building. The government announced yesterday that an advisory panel will look at a range of issues, including the impact of the <strong>underground economy</strong> on health and safety, as well as workplace practices, training and existing labour legislation.&#8221;—Karen Howlett, &#8220;<a href="http://www.theglobeandmail.com/news/national/government-launches-review-of-workplace-safety/article1446987/">Government launches review of workplace safety: Follows a spate of deaths on construction sites, including those of four men who died on Christmas Eve when scaffolding collapsed at a Toronto apartment building</a>,&#8221; <span style="text-decoration: underline;"><a href="http://www.theglobeandmail.com/">The Globe and Mail (Canada)</a></span>, January 28, 2010.</li>
	<li>&#8220;<a href="http://en.wikipedia.org/wiki/George_Papandreou,_junior">[George] Papandreou</a>, who is poised to announce social security reforms and tax increases (homing in on doctors, lawyers, bar and nightclub owners who are among the biggest tax evaders in an <strong>underground economy</strong> estimated to be about 30% of <a href="http://www.ealmanac.com/422/letters/gdp/">GDP</a>) has found help from an unlikely quarter. Amid all the talk of bankruptcy and bailouts from the <a href="http://www.ealmanac.com/373/letters/eu/">EU</a>, conservative opposition party leaders have also publicly backed the measures as imperative for the country&#8217;s survival.&#8221;—Helena Smith, &#8220;<a href="http://www.guardian.co.uk/business/2010/feb/07/greece-budget-deficit-crisis">Size of public debt catches up with Greece: Value of Greek black economy estimated at 30% of GDP: Budget deficit at 12.7% of national income</a>,&#8221; <span style="text-decoration: underline;"><a href="http://www.guardian.co.uk/">The Guardian (UK)</a></span>, February 7, 2010.</li>
</ul>]]></content:encoded>
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		</item>
		<item>
		<title>Blacksmith</title>
		<link>http://www.ealmanac.com/2943/colors/blacksmith/</link>
		<comments>http://www.ealmanac.com/2943/colors/blacksmith/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 07:42:51 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Profession]]></category>
		<category><![CDATA[Sciences]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/?p=2943</guid>
		<description><![CDATA[Blacksmiths are craftmen who smelt iron ore and forge tools, nails, horseshoes, and weapons as well as more decorative pieces such as iron gates, grills, and panels. Blacksmithing has largely disappeared in the developed world due to the availability of the mass-produced versions of these products.]]></description>
			<content:encoded><![CDATA[<p>Blacksmiths are craftmen who smelt iron ore and forge tools, nails, horseshoes, and weapons as well as more decorative pieces such as iron gates, grills, and panels. Blacksmithing has largely disappeared in the developed world due to the availability of the mass-produced versions of these products.</p>]]></content:encoded>
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		<item>
		<title>Film Noir</title>
		<link>http://www.ealmanac.com/2930/colors/film-noir/</link>
		<comments>http://www.ealmanac.com/2930/colors/film-noir/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 02:53:07 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Film Genres]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Humanities]]></category>
		<category><![CDATA[Movies]]></category>

		<guid isPermaLink="false">http://www.ealmanac.com/?p=2930</guid>
		<description><![CDATA[&#8220;Film noir&#8221; is a film genre of American films from the 1940&#8242;s and 1950&#8242;s that portrays a deeply corrupt world where the good guys seem helpless to move beyond their pasts and are cynical in their outlook and actions. The term comes from French critics and literally means &#8220;black film&#8221; reflecting the dark worlds—both literal and metaphoric—that are portrayed in these works. Key films in the genre include &#8216;The Maltese Falcon&#8216; (Huston, 1941), &#8216;Casablanca&#8216; (Curtiz, 1942), &#8216;Double Indemnity&#8216; (Wilder, 1944), &#8216;Laura&#8216; (Preminger, 1944), &#8216;To Have and Have Not&#8216; (Hawks, 1944), &#8216;The Lost Weekend,&#8217; (Wilder, 1945), &#8216;Murder My Sweet&#8216; (Dmytryk, 1945), &#8216;Spellbound&#8216; (Hitchcock, 1945), &#8216;The Big Sleep&#8216; (Hawks, 1946), &#8216;Gilda&#8216; (Vidor, 1946), &#8216;The Killers&#8216; (Siodmak, 1946), &#8216;The Postman Always Rings Twice&#8216; (Garnett, [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Film noir&#8221; is a film genre of American films from the 1940&#8242;s and 1950&#8242;s that portrays a deeply corrupt world where the good guys seem helpless to move beyond their pasts and are cynical in their outlook and actions. The term comes from French critics and literally means &#8220;black film&#8221; reflecting the dark worlds—both literal and metaphoric—that are portrayed in these works.</p>

<p>Key films in the genre include &#8216;<a href="http://www.imdb.com/title/tt0033870/">The Maltese Falcon</a>&#8216; (Huston, 1941), &#8216;<a href="http://www.imdb.com/title/tt0034583/">Casablanca</a>&#8216; (Curtiz, 1942), &#8216;<a href="http://www.imdb.com/title/tt0036775/">Double Indemnity</a>&#8216; (Wilder, 1944), &#8216;<a href="http://www.imdb.com/title/tt0037008/">Laura</a>&#8216; (Preminger, 1944), &#8216;<a href="http://www.imdb.com/title/tt0037382/">To Have and Have Not</a>&#8216; (Hawks, 1944), &#8216;<a href="http://www.imdb.com/title/tt0037884/">The Lost Weekend</a>,&#8217; (Wilder, 1945), &#8216;<a href="http://www.imdb.com/title/tt0037101/">Murder My Sweet</a>&#8216; (Dmytryk, 1945), &#8216;<a href="http://www.imdb.com/title/tt0038109/">Spellbound</a>&#8216; (Hitchcock, 1945), &#8216;<a href="http://www.imdb.com/title/tt0038355/">The Big Sleep</a>&#8216; (Hawks, 1946), &#8216;<a href="http://www.imdb.com/title/tt0038559/">Gilda</a>&#8216; (Vidor, 1946), &#8216;<a href="http://www.imdb.com/title/tt0038669/">The Killers</a>&#8216; (Siodmak, 1946), &#8216;<a href="http://www.imdb.com/title/tt0038854/">The Postman Always Rings Twice</a>&#8216; (Garnett, 1946), &#8216;<a href="http://www.imdb.com/title/tt0038988/">The Strange Love of Martha Ivers</a>&#8216; (Milestone, 1946), &#8216;<a href="http://www.imdb.com/title/tt0040506/">Key Largo</a>&#8216; (Huston, 1948), &#8216;<a href="http://www.imdb.com/title/tt0040636/">The Naked City</a>&#8216; (Dassin, 1948), &#8216;<a href="http://www.imdb.com/title/tt0040872/">They Live by Night</a>&#8216; (Ray, 1949), &#8216;<a href="http://www.imdb.com/title/tt0042208/">The Asphalt Jungle</a>&#8216; (Huston, 1950), &#8216;<a href="http://www.imdb.com/title/tt0042530/">Gun Crazy</a>&#8216; (Lewis, 1950), &#8216;<a href="http://www.imdb.com/title/tt0042593/">In a Lonely Place</a>&#8216; (Ray, 1950), &#8216;<a href="http://www.imdb.com/title/tt0042788/">Night and the City</a>&#8216; (Dassin, 1950), &#8216;<a href="http://www.imdb.com/title/tt0043014/">Sunset Blvd.</a>&#8216; (Wilder, 1950), &#8216;<a href="http://www.imdb.com/title/tt0043338/">Ace in the Hole/The Big Carnival</a>&#8216; (Wilder, 1951), &#8216;<a href="http://www.imdb.com/title/tt0045555/">The Big Heat</a>&#8216; (Lang, 1953), &#8216;<a href="http://www.imdb.com/title/tt0046187/">Pickup on South Street</a>&#8216; (Fuller, 1953), and &#8216;<a href="http://www.imdb.com/title/tt0048261/">Kiss Me Deadly</a>&#8216; (Aldrich, 1955).</p>

<p>Film critics also use &#8220;noir&#8221; by itself as well as for literature:</p>

<ul>
	<li>“&#8217;I really love the challenge of short stories,&#8217; Maryland author <a href="http://www.lauralippman.com/">Laura Lippman</a> told me recently from Texas, where she was touring in support of her best-selling novel <span style="text-decoration: underline;">What the Dead Know</span>. Ms. Lippman, who has contributed to, among other all-original anthologies, several volumes of <a href="http://www.akashicbooks.com/">Akashic Books</a>&#8216; &#8216;<a href="http://www.akashicbooks.com/noirseries.htm"><strong>Noir</strong> Series</a>&#8216; (including <span style="text-decoration: underline;"><span style="text-decoration: none;">Dublin </span></span><strong>Noir</strong>, <span style="text-decoration: underline;">New Orleans </span><strong>Noir</strong>, <span style="text-decoration: underline;">D.C. </span><strong>Noir</strong>, as well as <span style="text-decoration: underline;">Baltimore </span><strong>Noir</strong>, which she edited), admitted she will write a short story whenever she&#8217;s asked to.”—Tom Nolan, “Short Stories, Hard Covers: New Partners in Crime Fiction,” <span style="text-decoration: underline;"><a href="http://www.wsj.com/">The Wall Street Journal</a></span>, May 9, 2007, p. D10.</li>
	<li>“His character is trying to play it smoother in <a href="http://en.wikipedia.org/wiki/Fritz_Lang">Fritz Lang</a>’s <strong>noir</strong> standard &#8216;<a href="http://www.imdb.com/title/tt0045555/">The Big Heat</a>,&#8217; which was also released in 1953 and, happily, is      in the series. This is the film in which <a href="http://en.wikipedia.org/wiki/Lee_Marvin">[Lee] Marvin</a> brutally ups the      bad-boyfriend ante by tossing a steaming-hot pot of coffee into the face      of his girl (<a href="http://en.wikipedia.org/wiki/Gloria_Grahame">Gloria Grahame</a>), leaving her terribly scarred.”—<a href="http://movies.nytimes.com/ref/movies/bio_dargis.html">Manohla      Dargis</a>, “<a href="http://www.nytimes.com/2007/05/11/movies/11marv.html">Lee Marvin: The      Coolest Lethal Weapon</a>,” <span style="text-decoration: underline;"><a href="http://www.nytimes.com/">The New York Times</a></span>, May 11, 2007.</li>
</ul>

<p>Sometimes critics are playful with the term. For example, using &#8220;film gris&#8221; to indicate a film not quite in the standard &#8220;film noir&#8221; mold: “It’s been said that &#8216;Out of the Past,&#8217; with its careful moral gradations reflected in the range of Tourneur’s famously subtle lighting, is less a <strong>film noir</strong> than a <strong>film gris</strong>, painted in half-tones.”—<a href="http://www.davekehr.com/">Dave Kehr</a>, “<a href="http://www.nytimes.com/2007/05/15/movies/homevideo/15dvds.html">New DVDs:  Classic Westerns Round-Up: Volume 1</a>,” <span style="text-decoration: underline;"><a href="http://www.nytimes.com/">The New York Times</a></span>, May 15, 2007.</p>]]></content:encoded>
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		<title>The Chicago Black Sox</title>
		<link>http://www.ealmanac.com/2919/colors/the-chicago-black-sox/</link>
		<comments>http://www.ealmanac.com/2919/colors/the-chicago-black-sox/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 01:49:24 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[1910's]]></category>
		<category><![CDATA[20th Century]]></category>
		<category><![CDATA[Athletics]]></category>
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		<description><![CDATA[&#8220;The Chicago Black Sox&#8221; is a nickname given to the Chicago White Sox baseball team that became enveloped in a scandal around the 1919 World Series, the championship for Major League Baseball in the United States. Eight members of the team were accused of intentionally losing games because of payments that they had received from gangsters who were betting on the outcome.  While they were found not guilty at trial, all eight were banned for life from professional baseball. The nickname uses the negative sense of &#8220;black&#8221; indicating something secret, bad, or nefarious, as in &#8220;black market&#8221; or &#8220;black sites.&#8221; This usage of &#8220;black&#8221; stands in particular contrast to the &#8220;white&#8221; in the team&#8217;s real name.]]></description>
			<content:encoded><![CDATA[<p>&#8220;The Chicago Black Sox&#8221; is a nickname given to the <a href="http://en.wikipedia.org/wiki/Chicago_White_Sox">Chicago White Sox</a> baseball team that became enveloped in a scandal around the 1919 World Series, the championship for <a href="http://www.ealmanac.com/1231/letters/mlb/">Major League Baseball</a> in the United States. Eight members of the team were accused of intentionally losing games because of payments that they had received from gangsters who were betting on the outcome.  While they were found not guilty at trial, all eight were banned for life from professional baseball.</p>

<p>The nickname uses the negative sense of &#8220;black&#8221; indicating something secret, bad, or nefarious, as in &#8220;<a href="http://www.ealmanac.com/2947/colors/black-market/">black market</a>&#8221; or &#8220;black sites.&#8221; This usage of &#8220;black&#8221; stands in particular contrast to the &#8220;white&#8221; in the team&#8217;s real name.</p>]]></content:encoded>
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		<title>Bootblack</title>
		<link>http://www.ealmanac.com/2918/colors/bootblack/</link>
		<comments>http://www.ealmanac.com/2918/colors/bootblack/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 01:28:36 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Anthropology]]></category>
		<category><![CDATA[Clothing]]></category>
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		<description><![CDATA[A bootblack is someone who cleans and shines shoes.]]></description>
			<content:encoded><![CDATA[<p>A bootblack is someone who cleans and shines shoes.</p>]]></content:encoded>
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		<title>Blaxploitation</title>
		<link>http://www.ealmanac.com/2913/colors/blaxploitation/</link>
		<comments>http://www.ealmanac.com/2913/colors/blaxploitation/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 06:46:21 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
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		<category><![CDATA[Film Genres]]></category>
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		<title>The Black List (Screenplays)</title>
		<link>http://www.ealmanac.com/2785/colors/the-black-list-screenplays/</link>
		<comments>http://www.ealmanac.com/2785/colors/the-black-list-screenplays/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 02:00:25 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[21st Century]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Hollywood]]></category>
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		<category><![CDATA[Lists]]></category>
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		<category><![CDATA[Screenplays]]></category>
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		<guid isPermaLink="false">http://www.ealmanac.com/?p=2785</guid>
		<description><![CDATA[In addition to numerous other meanings, &#8220;the Black List&#8221; can refer to a ranked list of the best unproduced screenplays in Hollywood. The list was started in 2005 by Franklin Leonard, a former McKinsey &#38; Co. consultant, who was working for Leonardo DiCaprio&#8217;s production company, Appian Way, at the time. (As of 2010, he is an executive at Universal Studios.) Mr. Leonard didn&#8217;t have a single reason for naming the list &#8220;the Black List.&#8221; &#8220;He&#8217;s uncomfortable, for good reason, with people assuming that he named his project the Black List simply because he&#8217;s African-American. The truth is that he had a couple of different inspirations. Yes, he wanted to subvert the cultural metaphor that black equals bad (&#8216;I wanted to stick my finger [...]]]></description>
			<content:encoded><![CDATA[<p>In addition to numerous other meanings, &#8220;the Black List&#8221; can refer to a ranked list of the best unproduced screenplays in Hollywood. The list was started in 2005 by <a href="http://www.imdb.com/name/nm1436294/">Franklin Leonard</a>, a former <a href="http://en.wikipedia.org/wiki/McKinsey_%26_Company">McKinsey &amp; Co. consultant</a>, who was working for Leonardo DiCaprio&#8217;s production company, Appian Way, at the time. (As of 2010, he is an executive at Universal Studios.)</p>

<p>Mr. Leonard didn&#8217;t have a single reason for naming the list &#8220;the Black List.&#8221; &#8220;He&#8217;s uncomfortable, for good reason, with people assuming that he named his project the Black List simply because he&#8217;s African-American. The truth is that he had a couple of different inspirations. Yes, he wanted to subvert the cultural metaphor that <em>black</em> equals <em>bad</em> (&#8216;I wanted to stick my finger in the eye of that idea&#8217;); but he also wanted to take a swipe at the infamous McCarthy-inspired blacklist, which killed the careers of screenwriters suspected of being Communists (&#8216;What if there was a blacklist that people <em>wanted</em> to be on?&#8217;).&#8221;—Nicole Sperling, “<a href="http://www.ew.com/ew/article/0,,20245388,00.html">The Black List: How Hollywood&#8217;s Buzziest Scripts Get Their Juice: Every year, this ranking of the 10 best unproduced screenplays floating around town changes writers&#8217; lives. Meet Franklin Leonard, the man behind the Black List, and get an exclusive look at this year&#8217;s top 10</a>,” <span style="text-decoration: underline;"><a href="http://www.ew.com/">Entertainment Weekly</a></span>, December 10, 2008.</p>]]></content:encoded>
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		<title>The Black Ark</title>
		<link>http://www.ealmanac.com/2434/colors/the-black-ark/</link>
		<comments>http://www.ealmanac.com/2434/colors/the-black-ark/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 22:43:05 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
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		<category><![CDATA[Business]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Jamaica]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music Studios]]></category>
		<category><![CDATA[Rastafari]]></category>
		<category><![CDATA[Reggae]]></category>

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		<title>Black Sheep</title>
		<link>http://www.ealmanac.com/2146/colors/black-sheep/</link>
		<comments>http://www.ealmanac.com/2146/colors/black-sheep/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 04:16:25 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
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		<category><![CDATA[Animal Expressions]]></category>
		<category><![CDATA[Animals]]></category>
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		<description><![CDATA[A black sheep is the underachiever or ne&#8217;er-do-well of a family or group. In the United States, the relatives of the President are often seen as black sheep and the source of comedy.  For example: Jack Ford, the son of Gerald Ford, who admitted in an 1975 interview with the Portland Oregonian that he smoked marijuana; Billy Carter, the younger brother of Jimmy Carter, who was famous for introducing &#8220;Billy Beer&#8221; in 1977 soon after his brother was elected President, and for &#8220;Billygate,&#8221; which was a controversy over his dealings with the Libyan government while his brother was President; and Roger Clinton, the half-brother of Bill Clinton, who was found guilty of conspiracy to distribute cocaine in 1984, before his brother [...]]]></description>
			<content:encoded><![CDATA[<p>A black sheep is the underachiever or ne&#8217;er-do-well of a family or group.</p>

<p>In the United States, the relatives of the President are often seen as black sheep and the source of comedy.  For example:</p>


<ul>
		<li><a href="http://en.wikipedia.org/wiki/John_Gardner_Ford">Jack Ford</a>, the son of <a href="http://en.wikipedia.org/wiki/Gerald_Ford">Gerald Ford</a>, who admitted in an 1975 <a href="http://www.time.com/time/magazine/article/0,9171,946557,00.html">interview with the Portland Oregonian</a> that he smoked marijuana;</li>
		<li><a href="http://en.wikipedia.org/wiki/Billy_Carter">Billy Carter</a>, the younger brother of <a href="http://en.wikipedia.org/wiki/Jimmy_Carter">Jimmy Carter</a>, who was famous for introducing &#8220;<a href="http://en.wikipedia.org/wiki/Billy_Beer">Billy Beer</a>&#8221;  in 1977 soon after his brother was elected President, and for &#8220;<a href="http://en.wikipedia.org/wiki/Billygate#Libya">Billygate</a>,&#8221; which was a controversy over his dealings with the Libyan government while his brother was President; and</li>
		<li><a href="http://en.wikipedia.org/wiki/Roger_Clinton,_Jr.">Roger Clinton</a>, the half-brother of <a href="http://en.wikipedia.org/wiki/Bill_Clinton">Bill Clinton</a>, who was found guilty of conspiracy to distribute cocaine in 1984, before his brother was elected President.</li>
</ul>]]></content:encoded>
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		<title>Black Hat</title>
		<link>http://www.ealmanac.com/2116/colors/black-hat/</link>
		<comments>http://www.ealmanac.com/2116/colors/black-hat/#comments</comments>
		<pubDate>Sat, 14 Nov 2009 07:04:55 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[Black]]></category>
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		<description><![CDATA[“Black hat” is an expression meaning the villain of a story, or a person acting against law and justice.  This is in contrast to the hero, who is described as a “white hat.”]]></description>
			<content:encoded><![CDATA[<p>“<a href="http://images.google.com/images?gbv=2&amp;hl=en&amp;sa=1&amp;q=snidely+whiplash&amp;aq=0&amp;oq=snide&amp;aqi=g10&amp;start=0">Black hat</a>” is an expression meaning the villain of a story, or a person acting against law and justice.  This is in contrast to the hero, who is described as a “white hat.”</p>]]></content:encoded>
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